In 1925, the Book Review raved about the “sensitive” love poems and “piercing” satire from a young star of the Harlem Renaissance. Credit...Shadra Strickland Supported by COLOR by Countee Cullen | ...
Persons and places, 1903-1922 -- Higher education, 1922-1925 -- The Renaissance and its issues, 1926-1927 -- Europe and the widening circle, 1928-1930 -- Remakings, 1930-1935 -- Codas and finales, ...
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