#OTD 1955: Orson Welles spoke in praise of the modern wonder of the teleprompter. | BBC Archive
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Orson Welles’ Last Interview and Final Moments Captured on Film
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#OTD 1955: Orson Welles had just had his passport renewed, a process which made him ponder upon policing, propriety and bureaucracy. | BBC Archive
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How Orson Welles and Gregg Toland Crafted Citizen Kane: On the first day of shooting, June 29, 1940, the projection-room sequence was shot at daringly low light levels using only the streams from the projection windows and a few small fill lights. The performers were barely visible, their dialogue and background voices overlapping constantly—a pure Mercury Theatre aesthetic. The following nightclub sequence opened with an elaborate descending crane shot, the first appearance of the exaggerated m
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#OTD 1955: Orson Welles had just had his passport renewed, a process which made him ponder upon policing, propriety and bureaucracy. | BBC Archive
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The nighttime filming of the long, single tracking shot opening sequence of Orson Welles' TOUCH OF EVIL had many retakes. The sequence used was the last chance that night; the first light of the breaking dawn is visible in the background. See it this weekend on #NoirAlley. | Turner Classic Movies: TCM
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The Final Day in the Life of Orson Wells
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